This intimate portrait may have been painted to celebrate the 50th birthday of Thomas Gainsborough’s wife, Margaret (around 1728-1798). He portrayed her on various occasions throughout their 42-year marriage. Her
direct gaze — an unusual feature in portraits of women at the time — suggests the close relationship between painter and sitter. Gainsborough creates a striking contrast between his meticulous observation of Margaret’s
face and his loose rendering of her dress and black shawl, vividly evoked with a few zigzags of paint.
Margaret Burr, the illegitimate and only daughter of Henry, third duke of Beaufort, married Gainsborough in 1746, when she was 18 and he, a year older. Margaret’s income from her late father’s estate helped establish
her husband’s artistic career and she played an important role in managing his business. This portrait may also have been made to advertise Gainsborough’s talents as a portrait painter. Potential clients coming
to his studio (and home) could easily compare the portrait with its model.
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